{"id":1706,"date":"2022-09-01T21:34:28","date_gmt":"2022-09-01T20:34:28","guid":{"rendered":"https:\/\/contemporaneatalks.it\/?page_id=1706"},"modified":"2023-07-13T12:54:33","modified_gmt":"2023-07-13T11:54:33","slug":"speakers","status":"publish","type":"page","link":"https:\/\/contemporaneatalks.it\/?page_id=1706","title":{"rendered":"Speakers C\u202222"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1706\" class=\"elementor elementor-1706\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7e9244d6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7e9244d6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-69279d98\" data-id=\"69279d98\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-327cfa39 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"327cfa39\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! 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elementor - v3.8.1 - 13-11-2022 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Speakers C\u202222<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-23c24513 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"23c24513\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4cca9bab elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4cca9bab\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1d0de8b7\" data-id=\"1d0de8b7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d38774 elementor-widget elementor-widget-image\" data-id=\"d38774\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.1 - 13-11-2022 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Kathy-Alliou-Copy.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Kathy-Alliou-Copy.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Kathy-Alliou-Copy-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Kathy-Alliou-Copy-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Kathy-Alliou-Copy-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-317ff464 elementor-widget elementor-widget-accordion\" data-id=\"317ff464\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.1 - 13-11-2022 *\/\n.elementor-accordion{text-align:left}.elementor-accordion .elementor-accordion-item{border:1px solid #d4d4d4}.elementor-accordion .elementor-accordion-item+.elementor-accordion-item{border-top:none}.elementor-accordion .elementor-tab-title{margin:0;padding:15px 20px;font-weight:700;line-height:1;cursor:pointer;outline:none}.elementor-accordion .elementor-tab-title .elementor-accordion-icon{display:inline-block;width:1.5em}.elementor-accordion .elementor-tab-title .elementor-accordion-icon svg{width:1em;height:1em}.elementor-accordion .elementor-tab-title .elementor-accordion-icon.elementor-accordion-icon-right{float:right;text-align:right}.elementor-accordion .elementor-tab-title .elementor-accordion-icon.elementor-accordion-icon-left{float:left;text-align:left}.elementor-accordion .elementor-tab-title .elementor-accordion-icon .elementor-accordion-icon-closed{display:block}.elementor-accordion .elementor-tab-title .elementor-accordion-icon .elementor-accordion-icon-opened,.elementor-accordion .elementor-tab-title.elementor-active .elementor-accordion-icon-closed{display:none}.elementor-accordion .elementor-tab-title.elementor-active .elementor-accordion-icon-opened{display:block}.elementor-accordion .elementor-tab-content{display:none;padding:15px 20px;border-top:1px solid #d4d4d4}@media (max-width:767px){.elementor-accordion .elementor-tab-title{padding:12px 15px}.elementor-accordion .elementor-tab-title .elementor-accordion-icon{width:1.2em}.elementor-accordion .elementor-tab-content{padding:7px 15px}}.e-con-inner>.elementor-widget-accordion,.e-con>.elementor-widget-accordion{width:var(--container-widget-width,100%)}<\/style>\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-8301\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-8301\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Kathy Alliou<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-8301\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-8301\"><p><span style=\"font-weight: 400;\">Kathy Alliou dirige dal 2013 il dipartimento del\u00a0 Museo presso Beaux Arts de Paris. Insieme alla sua squadra coordina e contribuisce al programma espositivo e alla promozione delle collezioni. E\u2019 grazie agli artisti che si sforza di ideare, scrivere e inventare dialoghi con\u00a0 le opere d\u2019arte contemporanee cos\u00ec come con quelle storiche. Il suo repertorio di progetti artistici va dalla cura di mostre alle residenze di ricerca e ai progetti basati sulla parola, sul potenziale performativo dei corpi, sulla trasmissione e circolazione del pensiero: colloqui internazionali, seminari, conferenze e programmi di performance. Nel 2022 \u00e8 stata nominata membro della giuria dell\u2019<\/span><span style=\"font-weight: 400;\">Eric&amp;Isabelle Pujade-Lauraine Art Prize<\/span><span style=\"font-weight: 400;\"> tra Italia e Francia e direttrice artistica di Asia Now 2022, la cui\u00a0 ottava edizione si terr\u00e0 nella splenddia sede storica de La Monnaie a Parigi, durante Paris+par Art Basel il 20-23 ottobre 2022. \u00a0<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2218\"><span style=\"font-weight: 400;\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/span><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-4d97c415\" data-id=\"4d97c415\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5d398a60 elementor-widget elementor-widget-image\" data-id=\"5d398a60\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Giuliana-Altea.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Giuliana-Altea.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Giuliana-Altea-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Giuliana-Altea-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Giuliana-Altea-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-12a7a5b5 elementor-widget elementor-widget-accordion\" data-id=\"12a7a5b5\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3121\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3121\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Giuliana Altea<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3121\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3121\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Storica dell\u2019arte e curatrice, \u00e8 professoressa associata di Storia dell\u2019arte contemporanea e Delegata rettorale per i musei all\u2019Universit\u00e0 di Sassari, \u00e8 presidente della Fondazione Nivola di Orani (Nuoro). Ha pubblicato ampiamente sull\u2019arte italiana del primo Novecento, sul modernismo di met\u00e0 secolo e sul ruolo del decorativo nell\u2019arte e nella cultura occidentale, tenendo lezioni su questi temi in varie universit\u00e0 e istituzioni internazionali. Ha curato un centinaio di mostre sull\u2019arte del Novecento e contemporanea.<\/span><\/p><p class=\"Didefault\"><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2353\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-136643b3\" data-id=\"136643b3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-242e79b3 elementor-widget elementor-widget-image\" data-id=\"242e79b3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nairy-Baghramian.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nairy-Baghramian.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nairy-Baghramian-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nairy-Baghramian-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nairy-Baghramian-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b5ae289 elementor-widget elementor-widget-accordion\" data-id=\"7b5ae289\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2061\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2061\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Nairy Baghramian<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2061\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2061\"><div><p class=\"Default\">Nairy Baghramian \u00e8 nata a Isfahan, Iran, nel 1971. Vive e lavora a Berlino dal 1984. Il lavoro di Baghramian comprende sculture e installazioni spesso in riferimento all&#8217;architettura e al corpo umano. Il suo lavoro affronta le relazioni temporali, spaziali e sociali con il linguaggio, la storia e il presente, con forme che si materializzano in risposta a condizioni contestuali o alle premesse di un determinato mezzo. Queste strutture offrono la possibilit\u00e0 di un dialogo aperto e discorsivo in risposta a un sito, o una liberazione dalla relazione assegnata tra un oggetto e il suo significato. Tra le mostre personali recenti ricordiamo quelle alla Galleria d&#8217;Arte Moderna (GAM), Milano, Italia (2021); MUDAM Lussemburgo, Lussemburgo (2019); Palacio de Cristal, Madrid, Spagna (2018); il Walker Art Center, Minneapolis (2017). Ha partecipato allo Yorkshire Sculpture International presso The Hepworth Wakefield, Regno Unito (2019); Biennale di Venezia, Italia (2019 e 2011); Skulptur Projekt Munster, Germania (2017 e 2007); l&#8217;8a e la 5a Biennale di Berlino, Germania (2014 e 2008); e il Festival internazionale di arti visive di Glasgow, Scozia (2012). Baghramian \u00e8 la vincitrice del Premio Nasher 2022.<\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2353\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2ade3049 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2ade3049\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-917c310\" data-id=\"917c310\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7624f646 elementor-widget elementor-widget-image\" data-id=\"7624f646\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Massimo-Bray.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Massimo-Bray.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Massimo-Bray-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Massimo-Bray-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Massimo-Bray-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-15e4e002 elementor-widget elementor-widget-accordion\" data-id=\"15e4e002\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3671\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3671\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Massimo Bray<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3671\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3671\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Massimo Bray, direttore generale dell\u2019istituto dell\u2019Enciclopedia Italiana, \u00e8 stato deputato e ministro per i Beni, le attivit\u00e0 culturali e il turismo (2013-2014). Direttore responsabile della rivista edita dalla Fondazione Italianieuropei, \u00e8 stato presidente della fondazione La Notte della Taranta. Sull\u2019edizione italiana di <\/span><i><span style=\"font-weight: 400;\">Huffington Post<\/span><\/i><span style=\"font-weight: 400;\"> \u00e8 autore di un blog dedicato alla cultura, con particolare attenzione all\u2019<\/span><span style=\"font-weight: 400;\">editoria<\/span><span style=\"font-weight: 400;\"> tradizionale e digitale. Come presidente della Fondazione per <\/span><span style=\"font-weight: 400;\">il libro<\/span><span style=\"font-weight: 400;\">, la musica e la cultura, si \u00e8 occupato delle edizioni 2017 e 2018 del<\/span><span style=\"font-weight: 400;\"> Salone internazionale del libro di Torino<\/span><span style=\"font-weight: 400;\">. Dal 2019 insegna Storia dell\u2019editoria presso<\/span><span style=\"font-weight: 400;\"> l\u2019Universit\u00e0<\/span><span style=\"font-weight: 400;\"> Suor Orsola Benincasa di Napoli e dal 2020 al 2021 \u00e8 stato assessore alla cultura della Regione Puglia.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2fb9722\" data-id=\"2fb9722\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3fbab5b elementor-widget elementor-widget-image\" data-id=\"3fbab5b\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"798\" height=\"798\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Andre-Buchmann.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Andre-Buchmann.jpg 798w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Andre-Buchmann-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Andre-Buchmann-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Andre-Buchmann-768x768.jpg 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c9ddb72 elementor-widget elementor-widget-accordion\" data-id=\"c9ddb72\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2111\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2111\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Andr\u00e9 Buchmann <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2111\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2111\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Andr\u00e9 Buchmann <\/span><span style=\"font-weight: 400;\">\u00e8 un gallerista che si occupa di arte contemporanea internazionale. Formatosi nella galleria dei suoi genitori in Svizzera e alla Holly Solomon Gallery a New York, nei primi anni Novanta, ha fondato nel 1995 la Buchmann Galerie in Germania, con sede a Colonia. Dal 2005 la galleria si \u00e8 trasferita a Berlino dove ha due spazi espositivi nella zona del centro. Dal 2008 Andr\u00e9 Buchmann \u00e8 membro della Cragg Foundation, Wuppertal.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-356e7a49\" data-id=\"356e7a49\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7cece7c elementor-widget elementor-widget-image\" data-id=\"7cece7c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Carmen-Calvo.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Carmen-Calvo.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Carmen-Calvo-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Carmen-Calvo-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Carmen-Calvo-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-29e10f1f elementor-widget elementor-widget-accordion\" data-id=\"29e10f1f\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-7021\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-7021\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Carmen Calvo<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-7021\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-7021\"><p><span style=\"font-weight: 400;\">Dopo aver studiato Pubblicit\u00e0 alla Scuola di Arti e Mestieri e quindi Belle Arti alla Scuola di Belle Arti (entrambe a Valencia), Carmen Calvo si \u00e8 stabilita a Madrid tra il 1983 e il 1985 e poi a Parigi, dove \u00e8 rimasta fino al 1992. Da allora ha vissuto e lavorato a Valencia. Sebbene il suo lavoro sia Concettuale, \u00e8 anche legato al Surrealismo e alla Pop art con una produzione che comprende scultura, oggetti, installazione, pittura, ceramica e fotografia.<br \/><\/span><span style=\"font-weight: 400;\">Ha rappresentato la Spagna, insieme a Joan Brossa, al padiglione spagnolo della Biennale di Venezia nel 1997. Ha esposto in Europa, America Latina e Medio Oriente. Tra le sue mostre figurano IVAM, Valencia (1990 e 2007); Museo d&#8217;Arte Moderna, Messico (1998); Museo de Arte Contempor\u00e1neo Sof\u00eda \u00cdmber, Caracas (1999); Museo Reina Sofia, Madrid (2002); Galleria Nazionale di Belle Arti della Giordania, Amman (2005); Sala Kubo Kutxa, San Sebasti\u00e1n (2020). Ha ricevuto il Premio Julio Gonz\u00e1lez 2022 e il suo lavoro, dagli anni &#8217;60 ad oggi, \u00e8 attualmente esposto in una mostra monografica presso il Centro IVAM Julio Gonz\u00e1lez.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2284\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-85d7e9e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"85d7e9e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-cd7d75d\" data-id=\"cd7d75d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6e59ef81 elementor-widget elementor-widget-image\" data-id=\"6e59ef81\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Antonella-Camarda.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Antonella-Camarda.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Antonella-Camarda-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Antonella-Camarda-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Antonella-Camarda-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-665ae78a elementor-widget elementor-widget-accordion\" data-id=\"665ae78a\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1711\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1711\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Antonella Camarda<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1711\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1711\"><p><span style=\"font-weight: 400;\">Antonella Camarda \u00e8 ricercatrice di Museologia, Storia della Critica Artistica e del Restauro presso l&#8217;Universit\u00e0 di Sassari, dove insegna Museologia, Pratiche curatoriali e Storia dell\u2019Arte Contemporanea. Ha conseguito un dottorato di ricerca in Arte e Antropologia presso l&#8217;Universit\u00e0 di Sassari e un master in Psicologia e Management Museale presso l&#8217;Universit\u00e0 degli Studi di Roma \u201cLa Sapienza\u201d. La sua ricerca verte sul modernismo del secondo dopoguerra, i rapporti culturali tra Italia e Stati Uniti e il ruolo dei musei nella ricezione dell&#8217;arte contemporanea.\u00a0<\/span><span style=\"font-weight: 400;\">Direttrice del Museo Nivola di Orani dal 2015 al 2022, ha curato diverse mostre e progetti culturali ed \u00e8 attualmente responsabile del programma culturale del DCN &#8211; Distretto Culturale Nuorese.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2353\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6cd01662\" data-id=\"6cd01662\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1cabc989 elementor-widget elementor-widget-image\" data-id=\"1cabc989\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mary-Ellen-Carrol-1.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mary-Ellen-Carrol-1.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mary-Ellen-Carrol-1-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mary-Ellen-Carrol-1-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mary-Ellen-Carrol-1-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-75cdb306 elementor-widget elementor-widget-accordion\" data-id=\"75cdb306\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1971\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1971\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Mary Ellen Carroll<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1971\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1971\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Mary Ellen Carroll \u00e8 un\u2019artista concettuale che vive e lavora a New York City. La sua sua ricerca si colloca tra le discipline di architettura\/design, cinema, scrittura, performance e tecnologia. Carroll ha conseguito un MFA alla School of the Art Institute of Chicago (IL). Ha ottenuto svariati premi tra cui il Guna S. Mundheim Fellow in the Visual Arts all\u2019American Academy di Berlino, una Rockefeller Foundation Fellowship, una Guggenheim Foundation Fellowship, due Pollock-Krasner Foundation Awards. Le sue opere sono state esposte in numerose collezioni pubbliche e private, tra cui il Whitney Museum di New York, l\u2019ICA (Philadelphia\/London) e la Renaissance Society diChicago (IL).<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2293\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-b002665\" data-id=\"b002665\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-722da904 elementor-widget elementor-widget-image\" data-id=\"722da904\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Franco-Carta.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Franco-Carta.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Franco-Carta-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Franco-Carta-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Franco-Carta-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-34223e64 elementor-widget elementor-widget-accordion\" data-id=\"34223e64\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-8741\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-8741\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Franco Carta<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-8741\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-8741\"><p>Dopo aver lavorato per un lungo periodo nella pubblica amministrazione, \u00e8 un dirigente della Fondazione di Sardegna e coordina l\u2019area Patrimonio artistico e immobiliare della Fondazione. Dal 2015 \u00e8 il Responsabile del Progetto ARS\/Arte Condivisa in Sardegna, una piattaforma nella quale soggetti privati e pubblici collaborano con la Fondazione di Sardegna per realizzare progetti espositivi, produzioni originali nel campo dell\u2019arte figurativa, performativa, la promozione di incontri, pubblicazioni editoriali e progetti di arte pubblica sul territorio.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-31312f7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"31312f7\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6f215838\" data-id=\"6f215838\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7eb282aa elementor-widget elementor-widget-image\" data-id=\"7eb282aa\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luca-Cheri.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luca-Cheri.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luca-Cheri-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luca-Cheri-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luca-Cheri-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-21e0ff3 elementor-widget elementor-widget-accordion\" data-id=\"21e0ff3\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3551\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3551\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Luca Cheri<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3551\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3551\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Luca Cheri \u00e8 direttore del Museo Nivola dal 2022 e responsabile dei programmi pubblici dal 2015. Dottore di ricerca in Storia, Letteratura e Culture del Mediterraneo, Cheri ha curato numerosi eventi con un range di attivit\u00e0 che va dai concerti agli spettacoli teatrali, all&#8217;agricoltura sociale, alle mostre. \u00c8 assessore alla cultura del Comune di Sarule e coordinatore della rete Cultura al Centro costituita da enti pubblici, istituzioni private e associazioni del Nuorese.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2257\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-39b00a62\" data-id=\"39b00a62\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-778c5c19 elementor-widget elementor-widget-image\" data-id=\"778c5c19\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nerina-Ciaccia-2.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nerina-Ciaccia-2.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nerina-Ciaccia-2-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nerina-Ciaccia-2-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Nerina-Ciaccia-2-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-49e2d1e7 elementor-widget elementor-widget-accordion\" data-id=\"49e2d1e7\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1231\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1231\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Nerina Ciaccia<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1231\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1231\"><p>Nerina Ciaccia (Foggia 1981), dopo una laurea in Storia Contemporanea all\u2019Universit\u00e0 di Bologna e un master in Management per i Beni Culturali al Politecnico di Torino, ha collaborato con il collettivo a.titolo a diversi progetti relativi all\u2019arte pubblica. Nel 2013 ha creato, insieme ad Antoine Levi, la galleria Ciaccia Levi con sedi a Parigi e Milano. \u00c8 co-fondatrice della fiera Paris Internationale e del progetto collaborativo Palai a Lecce.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1571fdf1\" data-id=\"1571fdf1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-66add865 elementor-widget elementor-widget-image\" data-id=\"66add865\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Martin-Engler.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Martin-Engler.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Martin-Engler-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Martin-Engler-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Martin-Engler-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-27584e61 elementor-widget elementor-widget-accordion\" data-id=\"27584e61\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-6601\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-6601\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Martin Engler <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-6601\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-6601\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Martin Engler, direttore della sezione Arte Contemporanea dello St\u00e4del Museum di Francoforte dal 2008 al 2022, ha lavorato come curatore, autore e critico indipendente dal 1996. Dal 1997 tiene conferenze presso universit\u00e0 e accademie tedesche ed europee, da ultimo alla Goethe University e St\u00e4delschule a Francoforte sul Meno, all&#8217;Universit\u00e0 di Berna, Svizzera. Dal 2002 al 2008 \u00e8 stato curatore al Kunstverein di Hannover. Oltre a pubblicare su argomenti come la teoria dell&#8217;avanguardia, l&#8217;interrelazione tra pittura e fotografia, la pittura figurativa degli anni &#8217;80 e la fotografia degli allievi dei Becher, \u00e8 autore di cataloghi monografici e ha pubblicato (tra gli altri) su John Armleder, John Baldessari, Leigh Bowery, Donald Judd, Piero Manzoni, Adrian Paci, Ursula Schulz-Dornburg, Peter Roehr, Victor Vasarely e Corinne Wasmuht.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2273\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-49124d20 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"49124d20\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-26290c14\" data-id=\"26290c14\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7a2f8dc2 elementor-widget elementor-widget-image\" data-id=\"7a2f8dc2\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luigi-Fassi.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luigi-Fassi.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luigi-Fassi-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luigi-Fassi-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Luigi-Fassi-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7f224086 elementor-widget elementor-widget-accordion\" data-id=\"7f224086\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2131\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2131\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Luigi Fassi<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2131\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2131\"><p class=\"Didefault\">Luigi Fassi<span lang=\"EN-US\">\u00a0<\/span>\u00e8 direttore artistico della fiera d\u2019arte\u00a0 Artissima\u00a0 di Torino, dopo essere stato direttore del MAN <span lang=\"EN-US\">di Nuoro<\/span> (<span lang=\"EN-US\">2018<\/span>&#8211;<span lang=\"EN-US\">2022<\/span>); curatore al<span lang=\"DE\"> Steirischer Herbst Festival di Graz, Austria<\/span> (<span lang=\"EN-US\">2012<\/span>&#8211;<span lang=\"EN-US\">2017<\/span>) e direttore del Kunstverein ar\/ge kunst di Bolzano (<span lang=\"EN-US\">2009<\/span>&#8211;<span lang=\"EN-US\">2012<\/span>). Helena Rubinstein Curatorial Fellow al Whitney Museum ISP di New York (<span lang=\"EN-US\">2008-09<\/span>), ha organizzato mostre per diverse istituzioni internazionali. Nel 2016 \u00e8 stato fellow dell<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>Artis Research Trip Programme a Tel Aviv in Israele, co-curatore del Festival Curated_by a Vienna in Austria e della XVI edizione della Quadriennale\u00a0 di Roma. Membro del comitato di selezione della fiera d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>arte contemporanea Artorama di Marsiglia (2019-2022) e del comitato curatoriale di Alserkal Avenue a Dubai, Emirati Arabi Uniti (2016-2018), ha curato il progetto Tomorrow\/Todays presso la Cape Town Art Fair in Sud Africa (2019-2022.<b> <\/b>Autore di numerosi libri, ha collaborato a <i>Artforum<\/i>, <i><span lang=\"FR\">Mousse<\/span><\/i>, <i>Flash Art<\/i>, <i><span lang=\"ES-TRAD\">Camera Austria<\/span><\/i>, <i><span lang=\"DE\">Site<\/span><\/i> e <i>Domus<\/i>.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-453ec3d4\" data-id=\"453ec3d4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-269bb1eb elementor-widget elementor-widget-image\" data-id=\"269bb1eb\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Chiara-Gatti.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Chiara-Gatti.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Chiara-Gatti-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Chiara-Gatti-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Chiara-Gatti-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2b8feaf0 elementor-widget elementor-widget-accordion\" data-id=\"2b8feaf0\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-7301\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-7301\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Chiara Gatti<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-7301\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-7301\"><p><span style=\"font-weight: 400;\">Storica e critica dell&#8217;arte, Chiara Gatti \u00e8 direttrice del Museo MAN di Nuoro. Scrive da vent&#8217;anni per le pagine culturali de <\/span><i><span style=\"font-weight: 400;\">La<\/span><\/i> <i><span style=\"font-weight: 400;\">Repubblica<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Robinson<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Il<\/span><\/i> <i><span style=\"font-weight: 400;\">Venerd\u00ec<\/span><\/i><span style=\"font-weight: 400;\">. Membro del Comitato Scientifico del Museo di Villa dei Cedri a Bellinzona (CH) e consulente del Monte Verit\u00e0 di Ascona (CH), ha curato il progetto museografico e museologico per l&#8217;avviamento del Palazzo Verbania di Luino (VA) con l&#8217;apertura al pubblico dell&#8217;Archivio storico di Vittorio Sereni. Ha insegnato all&#8217;Universit\u00e0 Cattolica, all&#8217;Universit\u00e0 dell&#8217;Insubria, all&#8217;Accademia di Venezia e collabora con l&#8217;Universit\u00e0 degli Studi di Palermo per attivit\u00e0 di ricerca e didattica. Attualmente \u00e8 impegnata in un progetto di ricerca per il Centre Pompidou di Parigi. Ha curato mostre per la GAMeC di Bergamo, il Museo Novecento di Firenze, la Fondazione Querini Stampalia di Venezia, il Museo Archeologico Regionale di Aosta, la Pinacoth\u00e8que di Parigi, la Villa Panza di Varese. Per il MAN di Nuoro ha curato le mostre <\/span><i><span style=\"font-weight: 400;\">Giacometti e l&#8217;arcaico<\/span><\/i><span style=\"font-weight: 400;\"> e <\/span><i><span style=\"font-weight: 400;\">L&#8217;elica e la luce. Le futuriste 1912-1944<\/span><\/i><span style=\"font-weight: 400;\">. Con Lea Vergine ha scritto <\/span><i><span style=\"font-weight: 400;\">L\u2019arte non \u00e8 faccenda di persone perbene,<\/span><\/i><span style=\"font-weight: 400;\"> edito da Rizzoli nel 2016.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2315\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-32097946\" data-id=\"32097946\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5bc318b4 elementor-widget elementor-widget-image\" data-id=\"5bc318b4\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"773\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mark-Gisbourne.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mark-Gisbourne.jpg 838w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mark-Gisbourne-300x290.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Mark-Gisbourne-768x742.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4c626574 elementor-widget elementor-widget-accordion\" data-id=\"4c626574\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1281\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1281\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Mark  Gisbourne <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1281\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1281\"><p class=\"Didefault\">Mark Gisbourne\u00a0 \u00e8 un curatore e scrittore d\u2019arte internazionale. Nato in Gran Bretagna, vive e lavora a Berlino. Due volte presidente della sezione britannica dell\u2019Associazione Internazionale Critici d\u2019Arte (AICA), \u00e8 stato curatore delle esposizioni internazionali d\u2019arte Rohkunstbau dal 2004 al 2020. Autore di circa una dozzina di libri e di importanti pubblicazioni museali, di trecento saggi in cataloghi d\u2019arte e di numerosi articoli critici e recensioni. Tra i suoi progetti recenti ricordiamo un\u2019ampia rassegna di arte tedesca dal 1960, <i>Elective Affinities \/ Wahlverwandschaften <\/i>al Museo Nazionale della Latvia a Riga (2016), <i>B.A.R.O.C.K. <\/i>allo Schloss Caputh, di Potsdam and alla ME Collection di Berlino; <i>The Leipzig Connection<\/i>\u00a0 all\u2019HDLU, Kunsthalle dell\u2019Associazione degli Artisti Croati, Zagreb, Croatia, 2019.\u00a0 Fra le sue pubblicazioni pi\u00f9 recenti, <i>Dissonance &#8211; Platform Germany<\/i>, DCV Books, 2022, con Christoph Tannert.<\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2284\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-49fab448 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"49fab448\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2777bd99\" data-id=\"2777bd99\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1b58a062 elementor-widget elementor-widget-image\" data-id=\"1b58a062\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Emilio-Isgro.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Emilio-Isgro.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Emilio-Isgro-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Emilio-Isgro-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Emilio-Isgro-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7cd3daf8 elementor-widget elementor-widget-accordion\" data-id=\"7cd3daf8\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2091\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2091\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Emilio Isgr\u00f2<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2091\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2091\"><p style=\"font-weight: 400;\">Artista concettuale e pittore &#8211; ma anche poeta, scrittore, drammaturgo e regista &#8211; Emilio Isgr\u00f2 (Barcellona di Sicilia, 1937) \u00e8 uno dei nomi dell\u2019arte italiana pi\u00f9 conosciuti e prestigiosi a livello internazionale. Isgr\u00f2 ha dato vita a un\u2019opera tra le pi\u00f9 rivoluzionarie e originali nell\u2019ambito delle cosiddette seconde Avanguardie degli anni Sessanta, che gli ha valso diverse partecipazioni alla Biennale di Venezia (1972, 1978, 1986, 1993) e il primo premio alla Biennale di San Paolo (1977), oltre che ad altre importanti rassegne al MoMA di New York nel 1992 e alla Fondazione Peggy Guggenheim di Venezia nel 1994 e le antologiche al Museo Pecci di Prato nel 2008, alla Galleria Nazionale di Arte Moderna di Roma nel 2013, a Palazzo Reale a Milano nel 2016 e alla Fondazione Giorgio Cini di Venezia nel 2019.\u00a0Iniziatore delle \u201ccancellature\u201d di testi, applicate su enciclopedie, manoscritti, libri, mappe e anche su pellicole cinematografiche, Isgr\u00f2 ha fatto di questa pratica il perno di tutta la sua ricerca. Le sue opere fanno parte di prestigiose istituzioni pubbliche e private in Italia e all\u2019estero.<\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2315\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-152d371c\" data-id=\"152d371c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-12c0c0cf elementor-widget elementor-widget-image\" data-id=\"12c0c0cf\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-2-1.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-2-1.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-2-1-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-2-1-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-2-1-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-35ce185f elementor-widget elementor-widget-accordion\" data-id=\"35ce185f\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-9021\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-9021\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Giuseppina Leone<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-9021\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-9021\"><p><span style=\"font-weight: 400;\">Il suo percorso nell\u2019editoria comincia nell\u2019ufficio Coedizioni e Diritti Esteri di una piccola casa editrice fiorentina e continua nel ruolo di Responsabile dei Progetti Speciali e dello sviluppo estero di Skira Editore a Milano. Nel 2017 viene chiamata a gestire le Pubblicazioni Internazionali presso la storica casa editrice svizzera Scheidegger &amp; Spiess, nel ruolo di scouting di nuovi progetti e responsabile dell\u2019intero processo di concezione e produzione di cataloghi di arte, design e fotografia. Attualmente collabora con artisti, musei e gallerie nel coordinamento e nella gestione della produzione dei loro progetti editoriali ed \u00e8 responsabile delle relazioni e dello sviluppo internazionale presso O.G.M. Spa.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-4520b7c\" data-id=\"4520b7c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2b818a7d elementor-widget elementor-widget-image\" data-id=\"2b818a7d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Elisa-Linn.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Elisa-Linn.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Elisa-Linn-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Elisa-Linn-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Elisa-Linn-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5ea2b7c9 elementor-widget elementor-widget-accordion\" data-id=\"5ea2b7c9\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1581\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1581\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Elisa Linn<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1581\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1581\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Elisa R. Linn (Elisa Linn Roguszczak), autrice di mostre, scrittrice ed educatrice con sede a Berlino e New York, gestisce insieme a Lennart Wolff il progetto curatoriale e artistico km temporaer. Nella sua pratica si occupa di politiche di autorganizzazione, rappresentazione e collettivit\u00e0. Laureata al Whitney Independent Study Curatorial Program, sta attualmente facendo il dottorato di ricerca in filosofia con Marina Gr\u017eini\u0107 presso l&#8217;AdbK Vienna e detiene la cattedra ad interim di Teoria dell&#8217;arte e mediazione presso l&#8217;Accademia di Belle Arti di Norimberga. Linn ha lavorato con The Kitchen, la South London Gallery, il Whitney Museum of American Art, il Bronx Museum of the Arts e la Galleria Nazionale di Praga, tra gli altri. Ha collaborato a pubblicazioni e riviste come <\/span><i><span style=\"font-weight: 400;\">Frieze<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Starship<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Artforum<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Texte zur Kunst, BOMB<\/span><\/i><span style=\"font-weight: 400;\"> e <\/span><i><span style=\"font-weight: 400;\">Jacobin<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-16ba736 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"16ba736\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-31173c2e\" data-id=\"31173c2e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-259d6f3a elementor-widget elementor-widget-image\" data-id=\"259d6f3a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lucrezia-Longobardi.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lucrezia-Longobardi.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lucrezia-Longobardi-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lucrezia-Longobardi-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lucrezia-Longobardi-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e22ce1a elementor-widget elementor-widget-accordion\" data-id=\"7e22ce1a\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2111\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-2111\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Lucrezia Longobardi<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2111\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2111\"><p><span style=\"font-weight: 400;\">Lucrezia Longobardi (1991) \u00e8 critica d\u2019arte e curatrice. Centro della sua ricerca \u00e8 il concetto di spazio, analizzato come circostanza esistenziale sia dal punto di vista intimo che comunitario e sociale. Scrive su riviste di settore e ha collaborato con fondazioni private, Istituti Italiani di Cultura e musei, tra cui la Fondazione Morra, la Galleria Nazionale di Arte Moderna e Contemporanea di Roma e il Museo MADRE di Napoli. Ha pubblicato <\/span><i><span style=\"font-weight: 400;\">Lo spazio esistenziale. Definizioni e corollari. Vol.1 <\/span><\/i><span style=\"font-weight: 400;\">(Iemme edizioni, 2021) e <\/span><i><span style=\"font-weight: 400;\">15 ipotesi per una storia dell\u2019arte contemporanea. Appunti per una nuova lettura del XXI secolo<\/span><\/i><span style=\"font-weight: 400;\"> (Castelvecchi, 2022).<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2333\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1870f831\" data-id=\"1870f831\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-43d8d271 elementor-widget elementor-widget-image\" data-id=\"43d8d271\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-Copy-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-568f2cd8 elementor-widget elementor-widget-accordion\" data-id=\"568f2cd8\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1451\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1451\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Camilla Mattola<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1451\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1451\"><p>Camilla Mattola \u00e8 dottoranda presso l\u2019Universit\u00e0 degli Studi di Sassari, Dipartimento di Scienze Umanistiche e sociali. Il suo campo di specializzazione \u00e8 Museologia e Storia dell\u2019Arte Contemporanea. <br \/>Nel 2019 lavora per il museo Nivola di Orani al catalogo ragionato delle scuture di Costantino Nivola.<br \/>Nel 2020 vince una borsa di ricerca dell\u2019Universit\u00e0 degli Studi di Sassari e lavora al progetto multidisciplinare \u201cPi\u00f9 che un\u2019amicizia. La ricezione della cultura italiana negli Stati Uniti (1947 \u2013 1963)\u201d, indagine sull\u2019arte italiana negli Stati Uniti condotta attraverso la consultazione di riviste non specialistiche.<br \/>La sua tesi di dottorato ha come tema la musealizzazione del patrimonio controverso e si focalizza sul caso di studio del museo dell\u2019Asinara, un progetto promosso dal Parco Nazionale dell\u2019Asinara. <br \/>Ha scritto contributi per diverse riviste specialistiche ed \u00e8 curatrice presso la galleria ArteCircuito, a Sassari<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-53b5390\" data-id=\"53b5390\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e23e8db elementor-widget elementor-widget-image\" data-id=\"e23e8db\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Ruth-Noack.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Ruth-Noack.jpg 804w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Ruth-Noack-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Ruth-Noack-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Ruth-Noack-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2213dd7 elementor-widget elementor-widget-accordion\" data-id=\"2213dd7\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3571\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3571\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Ruth Noack<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3571\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3571\"><p><span style=\"font-weight: 400;\">Ruth Noack \u00e8 curatrice, storica dell\u2019arte e scrittrice. Nel 2019-2021 \u00e8 stata Direttrice Esecutiva e curatrice di The Corner al Whitman-Walker di Washington, D.C.. Noack ha curato Documenta 12 con Roger Buergel (2007). Tra le sue mostre recenti, <\/span><i><span style=\"font-weight: 400;\">The Mental Body<\/span><\/i><span style=\"font-weight: 400;\"> (2021), <\/span><i><span style=\"font-weight: 400;\">Stay Alive to Life. Resilience in Times of Covid<\/span><\/i><span style=\"font-weight: 400;\"> (2021) e la serie di esposizioni\u00a0 <\/span><i><span style=\"font-weight: 400;\">Sleeping with a Vengeance, Dreaming of a Life<\/span><\/i><span style=\"font-weight: 400;\"> (2018-20). \u00c8 autrice di una monografia su Sanja Ivekovi\u0107, ha curato <\/span><i><span style=\"font-weight: 400;\">Agency, Ambivalence, Analysis. Approaching the Museum with Migration in Mind<\/span><\/i><span style=\"font-weight: 400;\"> (2013), ha pubblicato numerosi saggi su tematiche femministe e di arte contemporanea e ha insegnato in varie sedi internazionali.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2293\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-54ffe9f2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"54ffe9f2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-39f59129\" data-id=\"39f59129\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4a4f2a08 elementor-widget elementor-widget-image\" data-id=\"4a4f2a08\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci.jpg 808w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Adrian-Paci-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-689cfc2 elementor-widget elementor-widget-accordion\" data-id=\"689cfc2\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1091\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1091\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Adrian Paci<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1091\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1091\"><p class=\"Didefault\"><span style=\"font-weight: 400;\">Nato in Albania, vive a Milano. \u00c8 un artista che si muove al crocevia tra fotografia, video, scultura, disegno, performance. Ha tenuto personali in molte istituzioni internazionali, tra cui: <\/span><span style=\"font-weight: 400;\">Kunsthalle, Krems (2019); Galleria Nazionale delle Arti, Tirana (2019); <\/span><span style=\"font-weight: 400;\">Museo del Novecento, Firenze (2017); MAC, Mus\u00e9e d&#8217;Art Contemporain de Montr\u00e9al (2014); PAC, Milano (2014); Jeu de Paume, Parigi (2013); National Gallery of Kosovo, Prishtina (2012); Kunsthaus Zurich, Zurich (2010); Bloomberg Space, Londra (2010); The Center for Contemporary Art \u2013 CCA, Tel Aviv (2009); Museum am Ostwall, Dortmund (2007); MoMA PS1, New York (2006) e Contemporary Arts Museum, Houston (2005).<\/span><span style=\"font-weight: 400;\"> Ha pi\u00f9 volte esposto alla <\/span><span style=\"font-weight: 400;\">Biennale di Venezia (1999, 2005) e alla Biennale\u00a0 di Venezia Architettura (2014); alla\u00a0 Biennale di Sydney (2006); alla Quadriennale di Roma, dove ha vinto il primo premio (2008); alla Biennale de Lyon (2009); alla Biennale di Salonicco (2013).<\/span> <span style=\"font-weight: 400;\">Suoi lavori sono conservati in importanti collezioni, quali il Metropolitan Museum, New York; MoMA, New York; Mus\u00e9e d\u2019Art Contemporain de Montr\u00e9al; Centre Pompidou, Parigi; Israel Museum, Gerusalemme; MAXXI, Roma; Fundacio Caixa, Barcellona; Moderna Museet, Stoccolma; Kunsthaus Z\u00fcrich, Zurigo; UBS Art Collection, Londra; Museum of Contemporary Art, Miami; New York Public Library, New York; Solomon Guggenheim Foundation, New York; Seattle Art Museum, Seattle.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2273\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1920ff98\" data-id=\"1920ff98\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3f3e7606 elementor-widget elementor-widget-image\" data-id=\"3f3e7606\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"590\" height=\"590\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/07\/Bettina-Pousttchi-1.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/07\/Bettina-Pousttchi-1.jpg 590w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/07\/Bettina-Pousttchi-1-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/07\/Bettina-Pousttchi-1-150x150.jpg 150w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-14d9674e elementor-widget elementor-widget-accordion\" data-id=\"14d9674e\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3491\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3491\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Bettina Pousttchi<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3491\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3491\"><p><span style=\"font-weight: 400;\">Bettina Pousttchi \u00e8 un\u2019artista che lavora prevalentemente con la scultura e la fotografia. Nata a Mainz e residente a Berlino, ha studiato alla Kunstakademie di D\u00fcsseldorf\u00a0 e si \u00e8 laureata al Whitney Independent Study Program, a New York. Le sue foto-installazioni site-specific sfidano ed espandono continuamente le possibilit\u00e0 formali e concettuali della fotografia e spesso occupano l\u2019intera facciata di edifici.\u00a0<\/span><span style=\"font-weight: 400;\">Tra i principali artisti contemporanei della Germania, gode di una significativa attenzione internazionale, specie negli Stati Uniti, dove sue mostre si sono tenute in istituzioni come l\u2019Hirshhorn Museum and Sculpture Garden e la Phillips Collection a Washington DC, il Nasher Sculpture Center a Dallas e l\u2019Arts Club.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2218\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-30fbab37\" data-id=\"30fbab37\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c1aa1b elementor-widget elementor-widget-image\" data-id=\"c1aa1b\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Pedro-Reyes.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Pedro-Reyes.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Pedro-Reyes-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Pedro-Reyes-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Pedro-Reyes-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-136e655b elementor-widget elementor-widget-accordion\" data-id=\"136e655b\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-3261\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-3261\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Pedro Reyes<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-3261\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-3261\"><p><span style=\"font-weight: 400;\">Pedro Reyes ha conquistato l&#8217;attenzione internazionale con i suoi progetti su larga scala che affrontano le attuali questioni sociali e politiche. Attraverso una pratica che utilizza scultura, performance, video e attivismo, Reyes esplora il potere dell&#8217;organizzazione individuale e collettiva di incitare al cambiamento attraverso la comunicazione, la creativit\u00e0, la felicit\u00e0 e l&#8217;umorismo. Una critica socio-politica della cultura contemporanea delle armi \u00e8 affrontata in <\/span><i><span style=\"font-weight: 400;\">Palas por Pistolas<\/span><\/i><span style=\"font-weight: 400;\"> (2008), in cui l&#8217;artista ha lavorato con le autorit\u00e0 locali di Culiac\u00e1n, in Messico, per fondere le pistole in pale, destinate a piantare alberi in citt\u00e0 di altre parti del mondo. Allo stesso modo, in <\/span><i><span style=\"font-weight: 400;\">Disarm<\/span><\/i><span style=\"font-weight: 400;\"> (2013) il governo messicano ha donato oltre 6.700 armi da fuoco confiscate per farle trasformare da Reyes in strumenti musicali meccanici che sono automatizzati per suonare un loop delizioso, anche se surreale, conservando l&#8217;emozione cruda della loro origine. I temi della comunit\u00e0 e della compassione sono affrontati in <\/span><i><span style=\"font-weight: 400;\">Sanatorium<\/span><\/i><span style=\"font-weight: 400;\">, al Solomon R. Guggenheim Museum di New York nel 2011, dOCUMENTA (13) in Germania nel 2012 e nel 2014 presso The Power Plant di Toronto e The Institute of Contemporary Art di Miami. In questo lavoro, i visitatori sono invitati a iscriversi a una &#8220;clinica temporanea&#8221;, con la missione di curare vari tipi di malessere urbano. La sua mostra immersiva <\/span><i><span style=\"font-weight: 400;\">Doomocracy<\/span><\/i><span style=\"font-weight: 400;\">, organizzata da Creative Time al Brooklyn Army Terminal, era una &#8220;casa politica degli orrori&#8221; che segnava la confluenza di due eventi che perseguitavano l&#8217;immaginazione culturale americana dell&#8217;epoca: Halloween e le elezioni presidenziali statunitensi del 2016.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2257\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2ae10026 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2ae10026\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-1c981f4e\" data-id=\"1c981f4e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d694995 elementor-widget elementor-widget-image\" data-id=\"d694995\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Gian-Maria-Tosatti.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Gian-Maria-Tosatti.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Gian-Maria-Tosatti-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Gian-Maria-Tosatti-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Gian-Maria-Tosatti-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f45b5f elementor-widget elementor-widget-accordion\" data-id=\"9f45b5f\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1671\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1671\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Gian Maria Tosatti<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1671\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1671\"><p><span style=\"font-weight: 400;\">Gian Maria Tosatti \u00e8 un artista e giornalista con base\u00a0 a Napoli. Formatosi nel campo performativo, tra il 2008 e il 2018 ha vissuto e lavorato a New York. Il suo lavoro consiste principalmente in grandi installazioni <\/span><i><span style=\"font-weight: 400;\">site specific<\/span><\/i><span style=\"font-weight: 400;\">, concepite per interi edifici o aree urbane. Ha esposto all\u2019Hessel Museum, New York (2014), al MADRE di Napoli (2016), al Lower Manhattan Cultural Council, New York (2011), alla Galleria Nazionale di Roma (2017, 2018), al Petah Tikva Museum of Art (2017), al Museo Archeologico di Salerno (2014), all\u2019American Academy di Roma (2013), al Museo di Villa Croce Museum a Genova (2012), al Palazzo delle Esposizioni di Roma (2008), al Chelsea Art Museum, New York (2009), alla Centrale Montemartini di Roma (2007),al Wilfredo Lam Museum, Havana (2015), alla Casa Testori a Milano (2014), al MAAM di Roma e\u00a0 a Castel Sant&#8217;Elmo a Napoli. Dal 2021 \u00e8 direttore artistico della Quadriennale di Roma. Nel 2022 \u00e8 l\u2019unico artista del Padiglione Italia alla Biennale di Venezia.<\/span><\/p><p><a href=\"https:\/\/contemporaneatalks.it\/?page_id=2333\"><strong>Vai al talk \u2013\u2013&gt;<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-48066747\" data-id=\"48066747\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4e2df698 elementor-widget elementor-widget-image\" data-id=\"4e2df698\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"800\" height=\"800\" src=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lennart-Wolff.jpg\" class=\"attachment-large size-large\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lennart-Wolff.jpg 810w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lennart-Wolff-300x300.jpg 300w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lennart-Wolff-150x150.jpg 150w, https:\/\/contemporaneatalks.it\/wp-content\/uploads\/2022\/10\/Lennart-Wolff-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-421963a7 elementor-widget elementor-widget-accordion\" data-id=\"421963a7\" data-element_type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-accordion\" role=\"tablist\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-1101\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"tab\" aria-controls=\"elementor-tab-content-1101\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-right\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" href=\"\">Lennart Wolff<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1101\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1101\"><p><span style=\"font-weight: 400;\">Lennart Wolff \u00e8 un architetto e curatore con sede a Berlino. Si \u00e8 laureato presso l&#8217;Architectural Association, Londra. Nel 2018 ha co-fondato la AA Visiting School di Zurigo. Ha scritto per riviste come <em>fregio<\/em>, <em>Kaleidoscope<\/em> e <em>Cura<\/em>.\u00a0<\/span><span style=\"font-weight: 400;\">Lennart Wolff concettualizza, organizza e produce mostre, testi, progetti architettonici e oggetti in mutevoli costellazioni collaborative.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6fba76be\" data-id=\"6fba76be\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Speakers C\u202222 Kathy Alliou Kathy Alliou dirige dal 2013 il dipartimento del\u00a0 Museo presso Beaux Arts de Paris. Insieme alla sua squadra coordina e contribuisce al programma espositivo e alla [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":0,"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_description":"","_tribe_blocks_recurrence_exclusions":""},"_links":{"self":[{"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/pages\/1706"}],"collection":[{"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1706"}],"version-history":[{"count":56,"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/pages\/1706\/revisions"}],"predecessor-version":[{"id":3049,"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=\/wp\/v2\/pages\/1706\/revisions\/3049"}],"wp:attachment":[{"href":"https:\/\/contemporaneatalks.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}